Cabaret emcee actors5/21/2023 ![]() However, when it didn’t go my way, I just moved on and looked forward to seeing the show. I thought that was a part I could potentially play. I had heard that it would star Eddie Redmayne and Jessie Buckley as the Emcee and Sally Bowles, so I called my agent and asked them to request an audition for the role of Cliff. I sobbed when I landed the role.įra Fee: I became aware of this production of Cabaret when it was first announced in the spring of 2021, and I instantly wanted to be involved in some way. ![]() I think Rebecca Frecknall and Tom Scutt are geniuses. It was genuinely one of the best pieces of theatre I have ever seen. He saw me in a workshop of a new piece and it dawned on him that I might be the next Sally – and he was right! I saw the show on the Saturday night to get a feel for the piece and I auditioned on the Tuesday. What initially drew you to this new iteration of Cabaret ?Īmy Lennox: I was asked to audition by a long time friend and producer of the show. Both, however, are ultimately honoured to portray two of the most time-honoured characters from – as Isherwood would later call it – “a period of ecstasy, sentimentality, worry, hope and clock-watching”.īelow, the lead actors talk to Dazed about their roles in Frecknall’s Cabaret, how it feels to act in the shadow of previous adaptations, and why the musical strikes a disturbing chord with the events of 2022. “Initially it was very daunting,” Fee tells Dazed, while Lennox remembers sobbing when she landed the “apex of female roles in musical theatre” as Bowles. Understandably, the takeover didn’t come without at least a small amount of trepidation. Taking over the lead roles are Fra Fee (Emcee) and Amy Lennox (Sally Bowles), alongside fellow newcomers Omar Baroud (Clifford Bradshaw) and Vivien Parry (Fraulein Schneider). ![]() Now, though, four new actors have stepped into the latest version of the Kit Kat Club, painstakingly constructed by Frecknall and set designer Tom Scutt at London’s Playhouse Theatre. It also snapped up all four awards for actors in a musical – Redmayne and Buckley won best actor and actress, while Elliot Levey and Liza Sadovy won awards for their supporting roles as star-crossed lovers whose relationship is jeopardised by the rise of fascism. Earlier this month (April 10), the West End show took home a record-breaking seven Olivier awards, including the award for best director, best musical revival, and best sound design. To say that it was well-received is an understatement. In fact, the latest revival – directed by Rebecca Frecknall – kicked off just last year, in November 2021, with Eddie Redmayne stepping into the shoes of Emcee, and Jessie Buckley ( i’m thinking of ending things ) playing Bowles. Maybe that’s why the musical has been revived almost every decade since, including several runs on Broadway and the West End, and a 1972 film adaptation starring Liza Minnelli. Unfortunately, a story about otherness under threat in the face of disturbing political trends hasn’t stopped feeling contemporary since Cabaret first premiered. Here, Bowles performs as a cabaret singer alongside a cast of other misfits, including a person in a gorilla suit and the flamboyant Emcee, who mirror the political turbulence of the era. First staged in 1966, the hit musical Cabaret reinvents this world for the stage, more specifically the stage of the decadent Kit Kat Club. In 1939, the Anglo-American novelist Christopher Isherwood published Goodbye to Berlin, a semi-autobiographical novel set in the bankrupt Berlin of the early 1930s, recounting the writer’s intense friendship with teenage flapper Sally Bowles amid the Nazis’ rise to power.
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